Ack!

I know it's all broken, and that's because I was astoundingly short-sighted in storing the images on a website that doesn't exist now. I will restore, patience...

The Grapes of Wrath

After a long absence, a new project -- a series of plates based on books with a reference to food in their titles. The plates are made of wood and are painted with acrylics, a fun change from my regular medium. This is the first, and I have a ways to go as I figure it all out. Catherine and I may use this as a springboard for a Reading In Public project but I need to wrestle it to the ground first. Almost there with this one...

Video for the previous post

Word plates flashmobbed

My word plates were part of a smallish flash mob last night :) I just looked at the collection, and realised I need to update the site, since I seem to have more than what's here now.
And another realization: It's so hard to put these up for sale. I'll have to at some point I guess, when I run out of storage room.

A contest over on A Plate A Day

I'm holding a small contest for plate #200 on A Plate A Day. Leave the url(s) of your favorite plate(s) in the comments on the post and you could win the plate above (a finished one, which I realised I had not yet posted to this site). Multiple submissions are welcome. Cheers!

And! It's absolutely fine to plug your own plate. Go for it :)

The end

I love Hannah's writing, erasures and all. She did this wonderful header for my Open Salon blog and I'll have to redo the plate above, this time without filling in the letters (I got lazy). Methinks we're finally at a point where I can give her a pencil and have her draw directly on a plate ('ll do the underglaze work). Should be a fun series :)

Bunny

I was working on a fabric pattern and thought I'd quickly place this on a plate to see how it looks. Not entirely sure about the feet, but I will refine later (puppy is due in a week and I think I'm quietly losing my mind).

Pears

Still very much snowed in but here are a couple more, taking off on this series. I'll take these into the studio this week and see how they fare with a single firing (eep). The low-fire glaze we've been using is just wonderful and soft, so unlike the hard shellac of the high-fire glaze on the earlier plates. Glazing always trips me up, so it's nice to see something come out right.

I'm being optimistic with that underglaze pencil coverage on the first pear above. The pencil sits on top of the bisque and doesn't cling to it, as with paper for instance. So I'm fairly sure the glaze will lift a lot of that away, and that's fine. It may make more sense to do that sort of drawing on dry greenware.

Bear plate, part 2

A single firing worked, but not for the old drawing I washed off, much of which remained in the background. Although I can see how that could be useful.

Rubberband